Shyam Mehta

Interview with Shyam Mehta: Mastering Spirography Through the Decades

Q: Shyam, could you share how you stumbled upon spirography and your journey since then?

Shyam Mehta: Absolutely. I first encountered spirography on the streets of Bombay during my 10th grade. I bought stencils, taught myself the art, and even used to visit exhibition stalls to teach others. In 1972, I worked for Fidma, where my passion for spirography grew.

Q: How has the spirography scene evolved, and who are your primary customers?

Shyam Mehta: Over 60% of my customers are those who remember spirography from earlier times. Youngsters are drawn to it, often mistaking it for mandala art. The interest from both generations keeps the art alive.

Q: What motivated your shift to the streets of Connaught Place?

Shyam Mehta: For the past decade, I've been on the streets of Connaught Place. It's my way of making a living without burdening my family. Every day, I travel from Shahdara on the metro to continue this journey.

Q: How has the perception of spirography changed over the years?

Shyam Mehta: Earlier, it was about teaching at stalls and exhibitions. Now, it's about sustaining myself on the streets. The challenges have changed, but the joy of creating spirographs remains constant.

Q: Any message for those unfamiliar with spirography?

Shyam Mehta: Spirography is more than patterns; it's a journey. For those unfamiliar, come, experience the beauty, and perhaps, create your own journey of intricate designs.

The interview concludes with Shyam Mehta showcasing his spirography skills, a blend of nostalgia and artistic finesse.